In 1973, Chol Soo Lee, a younger Korean immigrant, was arrested for the homicide of Yip Yee Tak, a Chinese American man, in San Francisco’s Chinatown. Despite unreliable testimonies and a scarcity of proof, Lee was wrongfully convicted of homicide and sentenced to life in jail. That’s the place the story begins in Free Chol Soo Lee, the newest documentary for PBS’s Independent Lens. After killing an inmate in jail just a few quick years later, an act he claimed was in self-defense, Lee confronted the loss of life penalty.
Shortly earlier than the second homicide conviction, a Korean American journalist named Ok.W. Lee started researching the case and found the botched police investigation might be attributed to racism, racial profiling, and stereotypes towards Asian Americans. Ok.W.’s articles about the case impressed the Pan-Asian American social justice motion to free Chol Soo Lee from jail. The grassroots marketing campaign finally led to an acquittal, however the unbelievable victory was short-lived as Lee struggled with life as a hero in the Asian American neighborhood.
Directed by Julie Ha, the former editor-in-chief of KoreAm Journal, and Eugene Yi, a filmmaker/editor whose work has been in Berlinale and The New York Times, Free Chol Soo Lee depicts how one man’s wrongful conviction triggered a landmark motion in American. Ha and Yi spoke to Digital Trends about why the case has grow to be a forgotten relic of this nation’s previous and how this documentary goals to reignite Lee’s legacy and hold his reminiscence alive.
Note: This interview has been edited for size and readability.
Digital Trends: This mission has been years in the making, and now it’s lastly going to be seen by the lots on PBS. How are you feeling? Is it reduction or gratitude?
Julie Ha: Oh, gosh, it’s all of the above. We first launched the movie into the world in January 2022 at Sundance and felt very honored to have the ability to take the movie to totally different components of the nation final yr and even overseas to different international locations. Having now this chance to point out the movie on PBS as Independent Lens and having this unbelievable attain by public TV, we really feel actually, actually grateful and honored.
Chol Soo Lee’s story is just not solely an necessary authorized case however a landmark second in American historical past. In studying the feedback from Ok.W. Lee and different folks concerned, they really feel the case was forgotten and pushed to the aspect. Ok.W. talked about that it was not taught in Asian-American research courses at universities and schools. Eugene, why do you assume the case disappeared from the highlight?
Eugene Yi: Well, Chol Soo himself spoke about this a bit. He questioned whether or not it was as a result of his case wasn’t as clear as different better-known instances may be. We begin the movie with the concept that he was no angel on the exterior. He was a child who grew up by his wits, and he had a report. Once he was launched, he struggled with habit and institutionalization, compounding the trauma he’d already been by. He additionally had this determined need to reside as much as the hopes of the neighborhood. They made him a logo, and he wished desperately to pay again this unbelievable reward of freedom that they’d given him. But he struggled.
When Julie and I first began working on the movie, we knew we couldn’t keep away from any of that, after all. You can’t inform the story with out that. They see his stumbles and his flaws, however additionally they see his power, his resilience, his charisma, his battle, [and] his humanity. I believe that [the audience] can join with how he may encourage this motion.
This mission could be traced to when Julie attended the funeral of Chol Soo Lee. Julie, are you able to describe your feelings from that day?
Ha: Back in 2014, Chol Soo handed away at age 62. I had truly attended the funeral to write down an obituary for {a magazine} I used to be working for. Also, I used to be fearful about Ok.W. Lee, the journalist in our movie. He’s been my mentor for 30-plus years. He had grow to be a father determine to Chol Soo and had by no means anticipated to survive him. While at the funeral, I used to be struck by the emotion in the room, folks expressing not simply grief, however deep remorse.
I noticed lots of the activists who had come to Chol Soo’s help 40 years earlier. A few them have been saying they regretted not doing sufficient for Chol Soo. That actually took me again as a result of I knew that this was a six-year-long motion to assist free him from jail. They devoted their lives to serving to free this stranger. At one level, Ok.W. Lee stood up. He was clutching this Buddhist monk’s strolling stick that Chol Soo had carved for him out of a tree. He was very emotional, and he stated, “Why is this story underground after all these years?” This was a landmark Pan-Asian American social justice motion, actually the first of its sort in our nation, and but as you stated, it was not even taught in Asian American research courses.
Fast ahead 9 months later, Eugene and I have been speaking about making a movie collectively as a result of we had beforehand collaborated as journalists for a Korean American journal and actually shared this ardour for wanting to inform advanced tales about our neighborhood with nuance and depth. I talked about the heaviness of the funeral, which had stayed with me all that point. He and I simply knew that we would have liked to dig in. We wanted to dig in and excavate this story earlier than it grew to become utterly buried in historical past. We virtually felt prefer it was truly our generational accountability. I believe we knew that this story, regardless that it’s 40 years previous, may even have deep resonance in the present day.
In these preliminary conversations, what have been a few of the key components that you simply knew needed to be advised in the story?
Yi: With tales like this, a lot depends on the archive. With communities like ours, you simply by no means understand how a lot is on the market as a result of communities like ours are historically not included in the mainstream narratives. In the face of that exclusion and that marginalization, what’s even on the market, when it comes to materials? That led to earlier components of the journey to see what was on the market as a result of we didn’t know. But Ok.W. began introducing us to folks, and it was unbelievable what people not solely had however have been keen to share with us like. Sandra Gin, a tv journalist at the time, made a documentary about the Chol Soo Lee case in 1983. She had materials that had by no means been seen that she shared with us, which was unbelievable.
Ok.W. Lee had packing containers and packing containers and packing containers of stuff. Included in there have been hours of recordings of him and Chol Soo having these very intimate conversations. Over the course of that course of, what we discovered was not solely that there could be sufficient to make a movie, however one thing extra profound had occurred. It’s virtually like the neighborhood determined to create this archive. Each particular person particular person had determined to do this. It’s notable once more that it’s people from the neighborhood, largely Asian-Americans, who had this materials that they so simply generously shared with us to create this archive. We’re simply indebted to them. We wouldn’t have a movie in the present day if it wasn’t for what they did as a result of they acknowledged this historical past. They noticed that it was value preserving.
You had this archive, and you’re getting all these supplies. When did you resolve to go together with Sebastian [Yoon] to relate and voice Chol Lee’s feelings and writings? Did that call add one other layer of stress to the mission?
Ha: I believe that was truly a significant resolution, even to go together with narration, interval. I believe we have been attempting so laborious to permit Chol Soo Lee himself to seek out company by our movie that we wished to make use of as a lot of his actual voice as potential. But we discovered that it was simply too troublesome. We weren’t going to have the ability to seize a lot of his inner journey and story if we didn’t use narration. He had left behind so lots of his writings. We did use his memoirs in addition to letters and additionally interviews and speeches that he gave to assemble the script for what he says in our movie.
I might say, too, that Eugene and I felt this nagging insecurity for therefore a few years after we scripted the traces for Chol Soo Lee as a result of we by no means had an opportunity to interview him ourselves. We felt like as a lot as we have been immersing ourselves in every thing he left behind, perhaps we weren’t getting shut sufficient. Once Sebastian, our narrator, joined our movie, it felt like every thing fell into place. Sebastian’s a previously incarcerated Korean-American. He was the discovery of our producer, Su Kim, who noticed him talking at a public occasion and was so moved by him and simply instinctually felt he may voice Chol Soo Lee.
He was unbelievable. He not solely did the narration, [but] he truly helped us revise the script. We wrote new scenes based mostly on his enter, particularly about fleshing out the expertise of incarceration and what that was like for Chol Soo Lee. One necessary factor Sebastian advised us was that it wasn’t simply jail violence that Chol Soo was confronting, nevertheless it was psychological and inner anguish. The dehumanization that you simply expertise every single day, the melancholy, the isolation, the loneliness. Based on that enter, we did script new scenes. Sebastian stated he recognized so strongly with Chol Soo’s expertise. He learn his memoir, too, and felt so related to him.
With the narration in the movie, you’re feeling that lived expertise that Sebastian introduced from his personal expertise of incarceration and that connection that I believe he felt with Chol Soo Lee. To be sincere, I believe Chol Soo Lee would have been actually happy to know that Sebastian voiced him for our movie as a result of Chol Soo had typically talked about forming a basis for previously incarcerated APIs. I believe understanding that his voice was delivered to life by Sebastian would have made him very completely satisfied.
There are movies about individuals who spend years in jail that finish when they’re exonerated and go away jail. In this documentary, that’s solely half the story, as there was one other layer to Chol Soo’s life exterior jail. Were you all the time planning to cowl his life exterior of jail? Did you already know about his battle earlier than making the documentary, or did that concept [to cover life outside of prison] come throughout the filmmaking course of?
Yi: I assume a little bit of each. We all the time knew that we needed to inform this a part of the story. There’s no method to inform the story with out telling this full story of what occurred as soon as he was launched and actually analyzing what sort of relationship he had with the neighborhood, what we known as in the edit his “surrogate family” of activists and folks in the neighborhood who got here forth. It’s additionally the actuality of what occurs when persons are launched from jail. That’s not the place the story ends. To actually shine a light-weight on every thing that he went by, that half was actually necessary for us.
The half that got here by in the edit was determining what components of a narrative to inform. I don’t wish to get into it an excessive amount of as a result of I hope that folk will watch the movie. But I believe that’s the half the place working with the proficient editors (Jean Tsien and Aldo Velasco) was actually very important to crafting that a part of the story to make it so that there’s nonetheless a story for us to share with the viewers.
Ha: I believe it’s additionally value mentioning that there was a earlier documentary about the Chol Soo Lee case by Sandra Gin, a broadcast information journalist, in 1983. That documentary ended together with his launch from jail. We had all the time recognized that we would have liked to proceed the story. It didn’t finish there, and now we may look again greater than 40 years with 20-20 hindsight, in some sense, and attempt to inform the full story. Sandra Gin, who was so useful with our movie and supplied a lot footage for us, stated, “I feel like you guys are writing the epilogue.” She felt like she was passing the baton to us.
What is a takeaway you need folks to have after seeing this movie?
Yi: A few fast issues. There was an unlikely solidarity at the core of this. Asian Americans weren’t anticipated to return collectively like this, as Chinese, Japanese, Korean, [and] Vietnamese. That was not what occurred at that time. The concept of Asian America had simply been invented, as a time period, not lengthy earlier than the motion occurred. There is one thing actually essential in that concept as a result of folks needed to come collectively to beat these obstacles of language and class and politics and id to work collectively.
It wasn’t simple. That’s one half that we don’t get into in the documentary. They actually needed to work at this. They got here collectively and discovered a typical trigger and have been capable of free Chol Soo Lee. There’s one thing actually highly effective in that concept. They carved an concept of what Asian America might be: very political, energetic, and engaged with these points.
On the one hand, after all, there may be simply the takeaway of wanting Asian Americans to be concerned with these points as a result of these are points as Americans and as human beings. Additionally, discovering these unlikely solidarities round one and discovering frequent trigger in locations the place people won’t essentially assume to seek out it. There is simply a lot on the market that wants addressing, [and] wants altering. We hope that the lesson that these activists supplied is one thing that folks can discover inspiration from in the present day.
Ha: I really feel like we inform tales to alter the world. We inform tales to assist us really feel extra related to one another as a typical humanity. I prefer to encourage folks to personalize the message of this movie, [and] to open their hearts and minds to the story of Chol Soo Lee. Obviously, to really feel his ache and battle, but in addition his resilience. To take inspiration from this unbelievable motion of resistance that Eugene was speaking about. They did the unimaginable. They overturned two homicide convictions in our American prison justice system, which many attorneys would inform you is unimaginable. But they did it at a time when Asian Americans had little or no political energy.
Sometimes, we will develop so cynical and have this sense of hopelessness that the issues earlier than us are too massive to surmount and overcome. I believe I do know for myself personally once I take a look at what they did greater than 40 years in the past, I take great inspiration from that. We hope folks will enable this story to maneuver and perhaps change them. To change their views on how they take a look at our prison justice system, [and] how they take a look at Asian-Americans. Maybe they’re not used to seeing Asian Americans in these roles and these contexts. Maybe, it’ll humanize members of our neighborhood for them.
We hope folks will enable it to maneuver them, to alter them, and perhaps ask themselves what are every of our roles in making a extra simply society. So in that manner, we hope that we’re maintaining the legacy of Chol Soo Lee alive and permitting him to talk and ship that message to folks in the present day.
Free Chol Soo Lee airs at 10 p.m. ET (test native listings) on April 24. It will even be accessible to stream on the PBS app.
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Read the Original Article
Copyright for syndicated content material belongs to the linked Source : Digital Trends – https://www.digitaltrends.com/movies/free-chol-soo-lee-interview-julie-ha-eugene-yi/
In 1973, Chol Soo Lee, a younger Korean immigrant, was arrested for the homicide of Yip Yee Tak, a Chinese American man, in San Francisco’s Chinatown. Despite unreliable testimonies and a scarcity of proof, Lee was wrongfully convicted of homicide and sentenced to life in jail. That’s the place the story begins in Free Chol Soo Lee, the newest documentary for PBS’s Independent Lens. After killing an inmate in jail just a few quick years later, an act he claimed was in self-defense, Lee confronted the loss of life penalty.
Shortly earlier than the second homicide conviction, a Korean American journalist named Ok.W. Lee started researching the case and found the botched police investigation might be attributed to racism, racial profiling, and stereotypes towards Asian Americans. Ok.W.’s articles about the case impressed the Pan-Asian American social justice motion to free Chol Soo Lee from jail. The grassroots marketing campaign finally led to an acquittal, however the unbelievable victory was short-lived as Lee struggled with life as a hero in the Asian American neighborhood.
Directed by Julie Ha, the former editor-in-chief of KoreAm Journal, and Eugene Yi, a filmmaker/editor whose work has been in Berlinale and The New York Times, Free Chol Soo Lee depicts how one man’s wrongful conviction triggered a landmark motion in American. Ha and Yi spoke to Digital Trends about why the case has grow to be a forgotten relic of this nation’s previous and how this documentary goals to reignite Lee’s legacy and hold his reminiscence alive.
Note: This interview has been edited for size and readability.
Digital Trends: This mission has been years in the making, and now it’s lastly going to be seen by the lots on PBS. How are you feeling? Is it reduction or gratitude?
Julie Ha: Oh, gosh, it’s all of the above. We first launched the movie into the world in January 2022 at Sundance and felt very honored to have the ability to take the movie to totally different components of the nation final yr and even overseas to different international locations. Having now this chance to point out the movie on PBS as Independent Lens and having this unbelievable attain by public TV, we really feel actually, actually grateful and honored.
Chol Soo Lee’s story is just not solely an necessary authorized case however a landmark second in American historical past. In studying the feedback from Ok.W. Lee and different folks concerned, they really feel the case was forgotten and pushed to the aspect. Ok.W. talked about that it was not taught in Asian-American research courses at universities and schools. Eugene, why do you assume the case disappeared from the highlight?
Eugene Yi: Well, Chol Soo himself spoke about this a bit. He questioned whether or not it was as a result of his case wasn’t as clear as different better-known instances may be. We begin the movie with the concept that he was no angel on the exterior. He was a child who grew up by his wits, and he had a report. Once he was launched, he struggled with habit and institutionalization, compounding the trauma he’d already been by. He additionally had this determined need to reside as much as the hopes of the neighborhood. They made him a logo, and he wished desperately to pay again this unbelievable reward of freedom that they’d given him. But he struggled.
When Julie and I first began working on the movie, we knew we couldn’t keep away from any of that, after all. You can’t inform the story with out that. They see his stumbles and his flaws, however additionally they see his power, his resilience, his charisma, his battle, [and] his humanity. I believe that [the audience] can join with how he may encourage this motion.
This mission could be traced to when Julie attended the funeral of Chol Soo Lee. Julie, are you able to describe your feelings from that day?
Ha: Back in 2014, Chol Soo handed away at age 62. I had truly attended the funeral to write down an obituary for {a magazine} I used to be working for. Also, I used to be fearful about Ok.W. Lee, the journalist in our movie. He’s been my mentor for 30-plus years. He had grow to be a father determine to Chol Soo and had by no means anticipated to survive him. While at the funeral, I used to be struck by the emotion in the room, folks expressing not simply grief, however deep remorse.
I noticed lots of the activists who had come to Chol Soo’s help 40 years earlier. A few them have been saying they regretted not doing sufficient for Chol Soo. That actually took me again as a result of I knew that this was a six-year-long motion to assist free him from jail. They devoted their lives to serving to free this stranger. At one level, Ok.W. Lee stood up. He was clutching this Buddhist monk’s strolling stick that Chol Soo had carved for him out of a tree. He was very emotional, and he stated, “Why is this story underground after all these years?” This was a landmark Pan-Asian American social justice motion, actually the first of its sort in our nation, and but as you stated, it was not even taught in Asian American research courses.
Fast ahead 9 months later, Eugene and I have been speaking about making a movie collectively as a result of we had beforehand collaborated as journalists for a Korean American journal and actually shared this ardour for wanting to inform advanced tales about our neighborhood with nuance and depth. I talked about the heaviness of the funeral, which had stayed with me all that point. He and I simply knew that we would have liked to dig in. We wanted to dig in and excavate this story earlier than it grew to become utterly buried in historical past. We virtually felt prefer it was truly our generational accountability. I believe we knew that this story, regardless that it’s 40 years previous, may even have deep resonance in the present day.
In these preliminary conversations, what have been a few of the key components that you simply knew needed to be advised in the story?
Yi: With tales like this, a lot depends on the archive. With communities like ours, you simply by no means understand how a lot is on the market as a result of communities like ours are historically not included in the mainstream narratives. In the face of that exclusion and that marginalization, what’s even on the market, when it comes to materials? That led to earlier components of the journey to see what was on the market as a result of we didn’t know. But Ok.W. began introducing us to folks, and it was unbelievable what people not solely had however have been keen to share with us like. Sandra Gin, a tv journalist at the time, made a documentary about the Chol Soo Lee case in 1983. She had materials that had by no means been seen that she shared with us, which was unbelievable.
Ok.W. Lee had packing containers and packing containers and packing containers of stuff. Included in there have been hours of recordings of him and Chol Soo having these very intimate conversations. Over the course of that course of, what we discovered was not solely that there could be sufficient to make a movie, however one thing extra profound had occurred. It’s virtually like the neighborhood determined to create this archive. Each particular person particular person had determined to do this. It’s notable once more that it’s people from the neighborhood, largely Asian-Americans, who had this materials that they so simply generously shared with us to create this archive. We’re simply indebted to them. We wouldn’t have a movie in the present day if it wasn’t for what they did as a result of they acknowledged this historical past. They noticed that it was value preserving.
You had this archive, and you’re getting all these supplies. When did you resolve to go together with Sebastian [Yoon] to relate and voice Chol Lee’s feelings and writings? Did that call add one other layer of stress to the mission?
Ha: I believe that was truly a significant resolution, even to go together with narration, interval. I believe we have been attempting so laborious to permit Chol Soo Lee himself to seek out company by our movie that we wished to make use of as a lot of his actual voice as potential. But we discovered that it was simply too troublesome. We weren’t going to have the ability to seize a lot of his inner journey and story if we didn’t use narration. He had left behind so lots of his writings. We did use his memoirs in addition to letters and additionally interviews and speeches that he gave to assemble the script for what he says in our movie.
I might say, too, that Eugene and I felt this nagging insecurity for therefore a few years after we scripted the traces for Chol Soo Lee as a result of we by no means had an opportunity to interview him ourselves. We felt like as a lot as we have been immersing ourselves in every thing he left behind, perhaps we weren’t getting shut sufficient. Once Sebastian, our narrator, joined our movie, it felt like every thing fell into place. Sebastian’s a previously incarcerated Korean-American. He was the discovery of our producer, Su Kim, who noticed him talking at a public occasion and was so moved by him and simply instinctually felt he may voice Chol Soo Lee.
He was unbelievable. He not solely did the narration, [but] he truly helped us revise the script. We wrote new scenes based mostly on his enter, particularly about fleshing out the expertise of incarceration and what that was like for Chol Soo Lee. One necessary factor Sebastian advised us was that it wasn’t simply jail violence that Chol Soo was confronting, nevertheless it was psychological and inner anguish. The dehumanization that you simply expertise every single day, the melancholy, the isolation, the loneliness. Based on that enter, we did script new scenes. Sebastian stated he recognized so strongly with Chol Soo’s expertise. He learn his memoir, too, and felt so related to him.
With the narration in the movie, you’re feeling that lived expertise that Sebastian introduced from his personal expertise of incarceration and that connection that I believe he felt with Chol Soo Lee. To be sincere, I believe Chol Soo Lee would have been actually happy to know that Sebastian voiced him for our movie as a result of Chol Soo had typically talked about forming a basis for previously incarcerated APIs. I believe understanding that his voice was delivered to life by Sebastian would have made him very completely satisfied.
There are movies about individuals who spend years in jail that finish when they’re exonerated and go away jail. In this documentary, that’s solely half the story, as there was one other layer to Chol Soo’s life exterior jail. Were you all the time planning to cowl his life exterior of jail? Did you already know about his battle earlier than making the documentary, or did that concept [to cover life outside of prison] come throughout the filmmaking course of?
Yi: I assume a little bit of each. We all the time knew that we needed to inform this a part of the story. There’s no method to inform the story with out telling this full story of what occurred as soon as he was launched and actually analyzing what sort of relationship he had with the neighborhood, what we known as in the edit his “surrogate family” of activists and folks in the neighborhood who got here forth. It’s additionally the actuality of what occurs when persons are launched from jail. That’s not the place the story ends. To actually shine a light-weight on every thing that he went by, that half was actually necessary for us.
The half that got here by in the edit was determining what components of a narrative to inform. I don’t wish to get into it an excessive amount of as a result of I hope that folk will watch the movie. But I believe that’s the half the place working with the proficient editors (Jean Tsien and Aldo Velasco) was actually very important to crafting that a part of the story to make it so that there’s nonetheless a story for us to share with the viewers.
Ha: I believe it’s additionally value mentioning that there was a earlier documentary about the Chol Soo Lee case by Sandra Gin, a broadcast information journalist, in 1983. That documentary ended together with his launch from jail. We had all the time recognized that we would have liked to proceed the story. It didn’t finish there, and now we may look again greater than 40 years with 20-20 hindsight, in some sense, and attempt to inform the full story. Sandra Gin, who was so useful with our movie and supplied a lot footage for us, stated, “I feel like you guys are writing the epilogue.” She felt like she was passing the baton to us.
What is a takeaway you need folks to have after seeing this movie?
Yi: A few fast issues. There was an unlikely solidarity at the core of this. Asian Americans weren’t anticipated to return collectively like this, as Chinese, Japanese, Korean, [and] Vietnamese. That was not what occurred at that time. The concept of Asian America had simply been invented, as a time period, not lengthy earlier than the motion occurred. There is one thing actually essential in that concept as a result of folks needed to come collectively to beat these obstacles of language and class and politics and id to work collectively.
It wasn’t simple. That’s one half that we don’t get into in the documentary. They actually needed to work at this. They got here collectively and discovered a typical trigger and have been capable of free Chol Soo Lee. There’s one thing actually highly effective in that concept. They carved an concept of what Asian America might be: very political, energetic, and engaged with these points.
On the one hand, after all, there may be simply the takeaway of wanting Asian Americans to be concerned with these points as a result of these are points as Americans and as human beings. Additionally, discovering these unlikely solidarities round one and discovering frequent trigger in locations the place people won’t essentially assume to seek out it. There is simply a lot on the market that wants addressing, [and] wants altering. We hope that the lesson that these activists supplied is one thing that folks can discover inspiration from in the present day.
Ha: I really feel like we inform tales to alter the world. We inform tales to assist us really feel extra related to one another as a typical humanity. I prefer to encourage folks to personalize the message of this movie, [and] to open their hearts and minds to the story of Chol Soo Lee. Obviously, to really feel his ache and battle, but in addition his resilience. To take inspiration from this unbelievable motion of resistance that Eugene was speaking about. They did the unimaginable. They overturned two homicide convictions in our American prison justice system, which many attorneys would inform you is unimaginable. But they did it at a time when Asian Americans had little or no political energy.
Sometimes, we will develop so cynical and have this sense of hopelessness that the issues earlier than us are too massive to surmount and overcome. I believe I do know for myself personally once I take a look at what they did greater than 40 years in the past, I take great inspiration from that. We hope folks will enable this story to maneuver and perhaps change them. To change their views on how they take a look at our prison justice system, [and] how they take a look at Asian-Americans. Maybe they’re not used to seeing Asian Americans in these roles and these contexts. Maybe, it’ll humanize members of our neighborhood for them.
We hope folks will enable it to maneuver them, to alter them, and perhaps ask themselves what are every of our roles in making a extra simply society. So in that manner, we hope that we’re maintaining the legacy of Chol Soo Lee alive and permitting him to talk and ship that message to folks in the present day.
Free Chol Soo Lee airs at 10 p.m. ET (test native listings) on April 24. It will even be accessible to stream on the PBS app.
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…. to be continued
Read the Original Article
Copyright for syndicated content material belongs to the linked Source : Digital Trends – https://www.digitaltrends.com/movies/free-chol-soo-lee-interview-julie-ha-eugene-yi/